Catalogus
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| Uitgever | Almohad Caliphate |
|---|---|
| Jaar | 1130-1269 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Dinar (1121-1269) |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Arabic |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The millarès was a Christian imitation of Almohad square dirhams, struck by the Italian maritime republics and Aragonese mints specifically for trade with North Africa, where Almohad silver dominated commercial exchange. Genoa was producing them by the late twelfth century; the County of Provence and the Crown of Aragon followed. Despite carrying Arabic religious inscriptions, these were minted by Christian powers who had no theological stake in the text — only a commercial one. North African merchants accepted them at par with genuine Almohad issues.
The papacy condemned the practice more than once, on the grounds that Christian mints were reproducing Islamic profession-of-faith inscriptions for profit.