目录
| 发行方 | Almohad Caliphate |
|---|---|
| 年份 | 1121-1269 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | Dinar (1121-1269) |
| 材质 | Silver |
| 重量 | 0.38 g |
| 直径 | |
| 厚度 | |
| 形状 | Square (irregular) |
| 制作工艺 | |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Vives arab#2209 |
| 正面描述 | |
|---|---|
| 正面文字 | Arabic |
| 正面铭文 |
هدى الله هو الهدى (Translation: God`s guidance He is the guidance) |
| 背面描述 | |
| 背面文字 | Arabic |
| 背面铭文 |
العاقبة للتقوا (Translation: The consequence for piety) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1121-1269) - Fas (Fez) - ND (1121-1269) - Ishbiliya (Sevilla) - ND (1121-1269) - No mintmark - ND (1121-1269) - Qurtuba (Cordoba) - |
| Numisquare 编号 | 3876069160 |
| 附加信息 |
Historical Context: This Square 1/4 Dirham was issued by the Almohad Caliphate, a powerful Berber Muslim dynasty that dominated North Africa and al-Andalus from the early 12th to the mid-13th century (1121-1269). Founded on strict religious reform principles by Ibn Tumart and consolidated by Abd al-Mu'min, the Almohads revolutionized Islamic coinage by introducing distinctive square-shaped issues. This denomination was integral to their standardized monetary system, reflecting their unified authority and religious zeal across a vast empire.
Artistry: The design of Almohad coinage, including this piece, is characterized by its austere calligraphic focus, a hallmark of their distinct numismatic school. While individual engravers remain anonymous, the stylistic choice of a square flan and the emphasis on religious and political inscriptions reflect the Almohad ideological purity. The small size of the 1/4 dirham necessitates a condensed textual layout, typically featuring the Shahada and caliphal titulature arranged within the square field, prioritizing message over elaborate ornamentation.
Technical/Grading: Weighing a mere 0.38 grams, this silver 1/4 dirham typically exhibits technical characteristics common to Almohad small-denomination issues. High-points for wear or strike quality are usually found in the central lines of the calligraphy and the outer borders. Due to manual striking, irregular flans, off-center strikes, and variable pressure are frequent, often resulting in some parts of the inscription being weakly struck while others remain sharp. The edges are typically plain and unrefined.