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| 表面の説明 | Stylised Celtic head facing right, wearing a prominent crested helmet rendered in abstract linear and pellet decoration characteristic of late Iron Age British Celtic coinage. The helmet crest is depicted with a row of pellets along its ridge, flanked by curved decorative elements. Subsidiary pellets and annulets are scattered in the field around the bust. The flan is irregular with a beaded border partially visible at the periphery, and the overall design reflects the distinctive schematic artistic tradition of the Iceni tribe. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A horse prancing to the right rendered in the abstracted, energetic Celtic artistic style typical of Icenian silver coinage. Above the horse, a branched or palm-like decorative motif rises prominently in the field, accompanied by a pellet within a circle above the horse's back. Three annulets arranged in a row appear beneath the horse in the lower field. The periphery of the irregular flan bears fragmentary linear and pellet ornaments, consistent with the decorative vocabulary of the Bury Helmet type. |
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| 裏面の銘文 | ログイン して詳細を見る |
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| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The "Bury" types take their name from the Bury St Edmunds hoard, a major East Anglian find that first brought this series to scholarly attention. The Iceni occupied what is now Norfolk and Suffolk, and their silver coinage was struck entirely without reference to Roman authority — these predate the client-kingdom arrangements that followed the Claudian invasion of 43 AD by decades. Production likely ceased well before the revolt of Boudica in 60–61 AD rendered the question moot.
The ABC 1498 / Spink 432 grouping encompasses a tightly clustered die series, suggesting controlled output from a single tribal mint rather than dispersed production.