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Silver 1/2 Unit Natural Head Left

Uitgever Corieltauvi tribe (Celtic Britain)
Jaar 45 BC - 10 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Variable alignment ↺
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Stylised Celtic head depicted in left-facing profile, rendered in the abstract La Tène artistic tradition characteristic of Corieltauvian coinage. The facial features are summarily indicated, with a pronounced rounded cranium and simplified facial plane filling the compact flan. The design is uninscribed and exhibits the bold, schematic modelling typical of late Iron Age British Celtic die-cutting. No legend or additional devices appear in the field.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage ND (45 BC - 10 BC) - Horse has dashes for mane, pellet below tail -
ND (45 BC - 10 BC) - Horse has dashes for mane, pellet triad below tail -
ND (45 BC - 10 BC) - Horse has no mane, pellet below and above and below tail, inverted L betwen forelegs -
ND (45 BC - 10 BC) - Horse has no mane, pellet triad below and pellet between forelegs -
ND (45 BC - 10 BC) - Horse has no mane, pellet behind and between forelegs -
Aanvullende informatie

The Corieltauvi occupied a substantial territory across what is now Lincolnshire, Leicestershire, and Nottinghamshire, and their coinage is notable for being issued jointly — pairs of names appear on later struck pieces, suggesting a tribal governance structure unlike most other British Celtic groups. This fractional silver belongs to a long transitional sequence during which Corieltavian issues shifted from abstracted Gallo-Belgic prototypes toward increasingly local, idiosyncratic designs, a process driven by political isolation from continental trade networks rather than artistic intention.

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