Katalog
| Opis awersu | Bust of Ousanas to right, wearing headcloth, draped; disc on crescent above. |
|---|---|
| Pismo awersu | Greek |
| Legenda awersu |
ΟΥCΑΝΑC ΒΑCΙΛεΥC (Translation: King Ousanas) |
| Opis rewersu | Bust of Ousanas to right, wearing headcloth, draped; disc on crescent above. |
| Pismo rewersu | Greek |
| Legenda rewersu |
ΑξWΜΙΤWΝ ΒΙCΙ ΓΙCεΝε (Translation: Of the Aksumites of Gisene.) |
| Krawędź | |
| Mennica | |
| Nakład |
ND (315-325) - - |
| ID Numisquare | 4316681180 |
| Dodatkowe informacje |
Historical Context: This silver Siliqua, issued by the Aksumite ruler Ousanas between 315 and 325 AD, represents a pivotal era in Aksumite history. Ousanas, often identified as the father of the famed Ezana, presided over a powerful and prosperous kingdom at the height of its pre-Christian influence. Aksum was a dominant force in the Red Sea trade, connecting the Roman world with inner Africa and India. The issuance of silver coinage like this Siliqua underscores Aksum's economic sophistication and its assertion of sovereign power through a robust monetary system, preceding the dramatic religious shift to Christianity under his successor.
Artistry: The artistry of this Siliqua reflects a distinctive Aksumite style, blending indigenous iconography with influences from the contemporary Roman world. While no specific engraver is identified, the coin's design typically features a diademed bust of Ousanas on the obverse, often facing right, rendered with a stylized yet regal quality characteristic of the period. The reverse commonly displays the pre-Christian disc and crescent symbol, a central element of Aksumite religious belief, frequently flanked by ears of barley or other symbolic motifs. The legends, usually in Ge'ez or Greek, further attest to Aksum's cultural and linguistic diversity.
Technical/Grading: This Siliqua, weighing approximately 2 grams of silver, exhibits typical characteristics of early Aksumite minting. High points for wear on the obverse would include the ruler's diadem, hair, nose, and chin, while on the reverse, the central disc and crescent device would show the earliest signs of attrition. The technical strike quality can vary, often presenting some degree of off-centring or slightly irregular flan shapes due to hand-preparation. However, well-preserved examples will retain clear details of the royal portrait and the intricate religious symbolism, indicating a strong strike on a reasonably prepared planchet.