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| 正面描述 | Draped bust of Tanit (or a Punic goddess assimilated to Core-Persephone) facing left, her elaborately dressed hair adorned with a wreath of grain ears and a crescent at the brow, with ringlets falling to the neck and shoulder. The modelling of the face is refined and reflects strong Hellenistic artistic influence, with delicate features and a serene expression. No legend appears in the field, consistent with Carthaginian coinage of this period. |
|---|---|
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
These fractions were struck to fund Hannibal's Italian campaign — the most financially demanding military operation Carthage ever undertook. The army that crossed the Alps in 218 BC was largely mercenary, and mercenaries required coin. Spanish silver, flowing through Carthaginian-controlled mines in the Iberian peninsula, provided the raw material.
The Müller and SNG Copenhagen references place this squarely within the Hispano-Carthaginian military coinage sequence, struck most likely in Spain rather than Carthage itself.