| Emisor | Turiaso |
|---|---|
| Año | 14-37 |
| Tipo | Standard circulation coin |
| Valor | Sestertius (1/4) |
| Moneda | Denarius (49 BC to AD 215) |
| Composición | Bronze |
| Peso | 25.62 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | RPC Online I#422, Vives#156-2, Hill1#33-4 |
| Descripción del anverso | Laureate head of Tiberius right. |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso | TI CAESAR AVGVSTVS |
| Descripción del reverso | Divus Augustus seated on curule chair left, holding sceptre and thunderbolt. |
| Escritura del reverso | Latin |
| Leyenda del reverso | MVN TVR DIVVS AVGVSTVS |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (14-37) - - |
| ID de Numisquare | 1159747840 |
| Información adicional |
Historical Context: This Sestertius, issued by *Municipium Turiaso* (Tarazona, Spain) in Hispania Citerior during Tiberius's reign (14-37 AD), exemplifies the imperial cult's provincial propagation. The legend "DIVVS AVGVSTVS" honors the deified Augustus, a cornerstone of early imperial propaganda. Turiaso, a strategically important Ebro Valley city, struck bronze coinage, reinforcing its municipal status while affirming loyalty to the Julio-Claudian dynasty. This practice was common among provincial mints consolidating Roman authority and seeking imperial favor.
Artistry: Specific engravers for provincial mints like Turiaso remain anonymous. This issue's stylistic characteristics reflect Hispania Citerior's provincial Roman artistic school. Engravers adapted official imperial prototypes, often with a slightly more rustic or localized interpretation than metropolitan mints. Iconography, especially the deified Augustus, aimed for recognizable imperial symbolism. Execution might exhibit variations in portraiture detail or die cutting precision typical of non-metropolitan workshops. Signatures are not known for this issuer.
Technical/Grading: For optimal grading, key high-points include the clarity and completeness of legends, particularly "MVN TVR DIVVS AVGVSTVS," often susceptible to wear or weak strikes. On the obverse, if a portrait of Divus Augustus, detail in hair, facial features, and drapery is critical. For the reverse, the central device (e.g., altar, temple) and accompanying figures/symbols should be sharp. Even strike, minimal planchet flaws, and a well-preserved original patina are highly desirable for this provincial bronze type.