目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The personification of Pietas, veiled and draped, stands facing right before a lighted altar, extending her right hand over the flame in a gesture of offering while her left hand holds a box of incense (acerra). The figure is rendered in the classicising style characteristic of Hadrianic bronzes, with flowing garments and a dignified posture conveying religious devotion. The legend PIETAS AVGVSTI appears in the upper field, with the senatorial authority mark S C divided across the lower field flanking the central device. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hadrian's early PIETAS AVGVSTI coinage belongs to a deliberate program of religious and civic messaging launched shortly after his accession in 117 AD, partly to counter lingering suspicion over the circumstances of Trajan's death and the disputed adoption. The Senate had initially resisted Hadrian, and the emphasis on pietas — encompassing duty to gods, state, and predecessors — was pointed political language, not decoration.
RIC II.3 #473 falls within the Flavian-style orichalcum sestertius production at Rome, a mint that by this period had refined its large bronze casting to a consistency Trajan's workshops had not always achieved.