Catalog
| Issuer | Apamea |
|---|---|
| Year | 38 |
| Type | Standard circulation coin |
| Value | Sestertius (1/4) |
| Currency | Denarius (49 BC to AD 215) |
| Composition | Copper |
| Weight | 13.35 g |
| Diameter | 33 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | RPC Online I#2012 |
| Obverse description | Three female busts, draped, of Drusilla (left, facing right), Julia (center, facing) and Agrippina Jr. (right, facing left) |
|---|---|
| Obverse script | |
| Obverse lettering | DIVÆ DRVSILLAE IVLIAEA AGRIPP-INAE |
| Reverse description | Agrippina Sr. seated left, veiled, holding patera in right hand |
| Reverse script | |
| Reverse lettering | AGRIPPINA • C • CAESARIS • AVG • GERMANICI • MATER C I C D D |
| Edge | |
| Mint | |
| Mintage |
ND (38) - Apamaea - |
| Numisquare ID | 1369110170 |
| Additional information |
Historical Context: This Sestertius, issued by Apamea in Phrygia during 38 AD, situates it early in the reign of Emperor Gaius, commonly known as Caligula (37-41 AD). As a significant provincial center, Apamea’s production of such large copper denominations underscored its civic prominence and allegiance to the Roman imperium. These issues served not only as currency but also as a vital medium for disseminating imperial iconography and affirming local identity within the broader Roman provincial administration.
Artistry: The coin’s design reflects the provincial artistic traditions of Asia Minor, typically executed by skilled but anonymous local die-sinkers. The obverse would invariably feature a laureate portrait of Caligula, aiming for imperial likeness, albeit filtered through local stylistic interpretations. The reverse commonly depicted a civic type, such as a local deity, founder figure, or symbolic representation pertinent to Apamea’s heritage, blending Roman imperial propaganda with distinct regional iconography.
Technical/Grading: Weighing 13.35 grams and measuring 33 millimeters, this substantial copper flan presented challenges for consistent striking. High-points on the obverse, such as the emperor’s hair and facial features, and specific details on the reverse design, are often susceptible to weakness or flatness due to uneven striking pressure or die wear. Provincial issues frequently exhibit some degree of off-centering or irregular flan shape, characteristics crucial for assessing technical strike quality and overall preservation.