| İhraççı | Thaena (Africa Proconsularis) |
|---|---|
| Yıl | 13-17 |
| Tür | Standard circulation coin |
| Değer | Sestertius (1/4) |
| Para birimi | Denarius (49 BC to AD 215) |
| Bileşim | Bronze |
| Ağırlık | 32.28 g |
| Çap | 38 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | I#810A |
| Ön yüz açıklaması | Head of Sarapis right. |
|---|---|
| Ön yüz yazısı | Phoenician |
| Ön yüz lejandı |
????? (Translation: Thaena) |
| Arka yüz açıklaması | Bare head right. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (13-17) - - |
| Numisquare Kimliği | 2327092820 |
| Ek bilgiler |
Historical Context: This Sestertius, issued by Thaena in Africa Proconsularis between 13-17 CE, originates from the late reign of Emperor Augustus. This period marked the consolidation of the Pax Romana. Provincial issues like this bronze Sestertius were vital for projecting imperial authority and integrating local economies into the Roman system. They served as both essential currency and potent propaganda, reinforcing the emperor's image and policies far from Rome's metropolitan center.
Artistry: The anonymous engraver's work represents a provincial Roman stylistic school, adapting metropolitan imperial portraiture for local audiences in Africa Proconsularis. The obverse invariably presented a laureate portrait of Augustus, conveying his divine authority and gravitas. The reverse design likely featured either an imperial theme, such as an altar or allegorical figure, or a local civic emblem, illustrating the province's unique identity and loyalty within the broader Roman Empire.
Technical/Grading: Struck in bronze, this substantial coin (32.28 gg, 38 mmmm) typically displays characteristics of provincial minting. High-points for wear on the obverse portrait include the hair, ear, and nose. On the reverse, raised figures or architectural details would show the earliest attrition. Technical strike quality can vary, often featuring irregular flans and less precise centering compared to imperial issues from Rome, though well-struck examples with sharp details are highly prized.