Katalog
| İhraççı | Mesocco, Lordship of |
|---|---|
| Yıl | 1487-1518 |
| Tür | Standard circulation coin |
| Değer | 1 Sesino (1⁄32) |
| Para birimi | Testone (1487-1549) |
| Bileşim | Silver |
| Ağırlık | |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HMZ 1#2-575a, MIR#991 |
| Ön yüz açıklaması | Cross patée with crosselets in cantons. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | ✠ IO · IA · TRIVLCIVS |
| Arka yüz açıklaması | Nimbate, mitred bishop facing, holdin crosier in left hand. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | S (...)AXIVS EPISCOP |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1487-1518) - - |
| Numisquare Kimliği | 2608533850 |
| Ek bilgiler |
Historical Context: This Sesino was issued under Johann Jakob Trivulzio, a prominent Italian condottiero and nobleman who held the strategic Lordship of Mesocco in present-day Graubünden, Switzerland, between 1487 and 1518. This era was characterized by intense political and military upheaval in Italy, with regional powers like Trivulzio navigating allegiances amidst the larger conflicts involving France, Spain, and the Holy Roman Empire. The issuance of coinage by Trivulzio served as a tangible assertion of his sovereign rights and economic autonomy within his territory, facilitating local commerce and affirming his authority over a vital alpine pass. The Sesino was a common small silver denomination in northern Italy, crucial for daily transactions.
Artistry: The specific engraver for this Sesino remains unrecorded, typical for minor denominations from smaller lordships of this period. The coin's design likely reflects the stylistic conventions of late Gothic and early Renaissance northern Italian minting, possibly incorporating subtle influences from adjacent Germanic or Swiss regions. While specific details are not provided, such coins typically feature the issuer's armorial bearings—the Trivulzio family shield, often with a lion rampant or other heraldic charges—on the obverse, accompanied by his titles. The reverse would commonly display a simple religious motif, such as a cross pattee, encircled by a legend, executed with a direct, functional aesthetic suitable for small silver coinage.
Technical/Grading: For a Sesino of this period, key high-points for wear assessment would include the raised elements of the heraldic shield, particularly the charges and any crown or crest, as well as the highest points of any accompanying portraiture or monograms. The legends encircling the central devices are also critical for evaluating strike quality and wear. Technically, coins from this era and mint often exhibit variations in strike, including off-center strikes, areas of weakness—especially at the planchet edges—and minor planchet imperfections such as laminations or fissures. A well-preserved example would boast a strong, even strike, ensuring full legibility of all legends and clear definition of the central devices.