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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A bold foliate cross occupies the entire reverse field, with each of the four arms terminating in decorative foliate or acanthus-like flourishes. One or three small pellets appear at the tip of each arm, a distinguishing detail between the two known varieties. The legend SALVS MUNDI is distributed around the cross within a beaded border, reading in an arc divided by the arms of the cross. |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Charles Emmanuel III was Duke of Parma only from 1731 to 1735 — the attribution here almost certainly refers to the later Bourbon duke Philip I, who took Parma in 1748, or possibly to a transitional issue struck during the Austrian occupation preceding the Treaty of Aix-la-Chapelle. The mid-1740s were a period of contested sovereignty over Parma, with the duchy changing hands effectively through the War of the Austrian Succession. A sesino struck in 1744–45 would have circulated under genuinely uncertain political authority.