Katalog
| İhraççı | Barium |
|---|---|
| Yıl | 180 BC - 160 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | |
| Bileşim | Bronze |
| Ağırlık | 1.42 g |
| Çap | 13 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HN Italy#735 , SNG ANS 1#657-658 , SNG France#1281 |
| Ön yüz açıklaması | Laureate head of Zeus to right; behind, Λ (mark of value). |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Prow right; at right, Λ or ΒΑΡΙ. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | Λ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (180 BC - 160 BC) - - |
| Numisquare Kimliği | 4347368670 |
| Ek bilgiler |
Historical Context: This Æ Semuncia, issued by Barium (modern Bari) in Apulia between 180 BC and 160 BC, reflects a transitional period in Magna Graecia. Post-Punic Wars, Roman hegemony was established, yet allied cities like Barium retained autonomy, minting bronze for local commerce. As a vital port, Barium utilized these fractional denominations for daily transactions, underscoring its economic activity and civic identity despite increasing Roman influence.
Artistry: The artistry of this diminutive semuncia (13mm) adhered to prevailing Hellenistic stylistic traditions common in Magna Graecia. Specific engravers for such fractional bronzes are unknown. Designs typically featured local deities, mythological figures, or civic emblems relevant to Barium. These motifs, simplified for the small flan, were rendered with clear, recognizable iconography, serving as both currency and a statement of civic pride. The artistic execution, functional, reflected the local cultural milieu.
Technical/Grading: Weighing 1.42 grams and measuring 13 millimeters, this bronze semuncia adheres to typical specifications. Technically, coins of this type often show characteristics common to ancient bronze coinage: potential for off-center strikes, variable flan preparation, and die wear. High-points, crucial for assessing wear, are the highest relief areas of portraiture or symbolic elements. Grading also considers the bronze surface condition, noting corrosion or attractive, stable patina, which impacts aesthetic appeal and preservation.