Katalog
| Emitent | Capua |
|---|---|
| Rok | 216 BC - 211 BC |
| Typ | Standard circulation coin |
| Hodnota | Semuncia (1/20) |
| Měna | As (circa 216-211 BC) |
| Složení | Bronze |
| Hmotnost | 4.11 g |
| Průměr | 15 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | HN Italy#500 1#219-221 France#517 Gr/It#17 Morcom#91 , Weber#297 , SambonArt#1040 |
| Popis líce | Diademed and veiled bust of Hera right; lotus-tipped sceptre over shoulder. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Grain ear; tripod-like object to right and kapu to left. |
| Písmo rubu | Old Italics |
| Opis rubu |
(Translation: kapu) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (216 BC - 211 BC) - - |
| ID Numisquare | 1082982050 |
| Další informace |
Historical Context: This bronze semuncia, issued by Capua between 216 and 211 BC, is a key artifact from the Second Punic War. Following the Roman defeat at Cannae in 216 BC, Capua, a major city in Campania, defected to Hannibal Barca, aligning itself with Carthage. This coinage represents Capua's brief but significant period of independence from Roman hegemony, exercising its right to mint currency. The cessation of these issues coincides with Capua's reconquest by Rome in 211 BC, marking the end of its autonomous monetary production and a severe blow to Carthaginian influence in Italy.
Artistry: The artistry of this semuncia reflects prevailing Hellenistic influences common in Campanian mints, with a distinct local character. Typical obverse designs for Capuan semunciae of this era feature a deity's head, such as Jupiter or Juno, rendered with robust features. The reverse commonly depicts an eagle or another animal, often accompanied by a single pellet, denoting its value. The style, though perhaps less refined than contemporary silver issues, exhibits a vigorous, characteristic quality of wartime bronze coinage.
Technical/Grading: Struck on a bronze flan (4.11 grams, 15 millimeters), this semuncia adheres to local weight standards for the period. High points for wear typically include the deity's hair or facial features on the obverse, and the animal's breast or wing details on the reverse. As is common for wartime bronze issues from this region, strikes often exhibit minor off-centring, uneven pressure, or flan imperfections. Well-preserved examples with full design details and minimal porosity are highly prized by collectors.