Catálogo
| Emisor | Venusia |
|---|---|
| Año | 210 BC - 200 BC |
| Tipo | Standard circulation coin |
| Valor | Semis (1/2) |
| Moneda | Nummus (circa 218-201 BC) |
| Composición | Bronze |
| Peso | 2.66 g |
| Diámetro | 15 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HN Italy#726 1#770 , Weber#491 |
| Descripción del anverso | Head of Hermes wearing a winged petasos to right. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Winged boot left; ligate VE above, S and kerykeion to left. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (210 BC - 200 BC) - - |
| ID de Numisquare | 2079880790 |
| Información adicional |
Historical Context: This Æ Semis from Venusia, struck 210-200 BC, places it firmly within the tumultuous Second Punic War. Venusia, a crucial Roman colony in Apulia, issued its own bronze coinage due to disruptions in central Roman minting. These local issues were essential for commerce and troop payments, highlighting the colony's strategic importance and resilience in supporting the Roman war effort against Hannibal during intense conflict.
Artistry: While engravers remain anonymous, this Semis reflects numismatic styles prevalent in Southern Italy during the late 3rd century BC. Designs drew inspiration from both Hellenistic traditions and emerging Roman iconography. The obverse commonly featured a deity, perhaps Jupiter or Saturn, rendered with robust, functional vitality. The reverse often carried a relevant local symbol or Roman type, executed with a clear, authoritative aesthetic characteristic of wartime coinage, prioritizing legibility over intricate detail.
Technical/Grading: Weighing 2.66 grams and measuring 15 millimeters, this bronze Semis is a modest module. For optimal grading, collectors prioritize well-centered strikes, though off-center examples are common given wartime production. Key high-points, such as a deity's hair or facial features, often show weakness or wear. Full details on these small, sometimes irregularly shaped flans are desirable, indicating a strong, complete strike, though minor planchet flaws are typical for utilitarian ancient bronze issues.