Katalog
| İhraççı | Early Anglo-Saxon (Kingdoms of British Isles and Frisia) |
|---|---|
| Yıl | 710-760 |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Sceat |
| Bileşim | Silver |
| Ağırlık | 0.77 g |
| Çap | 12 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Sp#808C , North#144 |
| Ön yüz açıklaması | Facing bust. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Beast left, head looking back, crest intertwined between legs. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (710-760) - - |
| Numisquare Kimliği | 1631790610 |
| Ek bilgiler |
Historical Context: This Sceat Series Q, variety IG, dates from the early Anglo-Saxon period (710-760), a time of significant economic growth and developing kingdoms across the British Isles and Frisia. While anonymous, these silver coins were the primary currency, reflecting a sophisticated, yet decentralized, monetary system. Series Q is often associated with East Anglia or Frisian mints, highlighting cross-Channel trade and cultural exchange. This era predates the widespread reintroduction of named rulers on coinage, reflecting a transition in early medieval governance and economy.
Artistry: The artistry of Series Q sceattas is characteristic of the Anglo-Frisian stylistic school, known for its vigorous, often abstract, zoomorphic designs. While no specific engraver is known, the dies were likely cut by local artisans. The obverse of variety IG prominently features a highly stylized animal, commonly interpreted as a porcupine or hedgehog, rendered with radiating spines and an elongated body. The reverse typically presents a central cross or a standard within a beaded circle, showcasing a blend of Germanic animal art and Christian symbolism.
Technical/Grading: Struck on a small 12mm flan and weighing 0.77g, the technical quality of this sceat can vary. High-points susceptible to wear include the animal's head, tail, and the tips of its spines on the obverse, and the central elements of the reverse design. Due to hand-striking, examples often display off-center strikes, minor double striking, or incomplete flan coverage. A well-preserved specimen will exhibit a relatively centered strike with clear detail on the stylized animal and distinct reverse elements, despite inherent die crudeness.