Katalog
| İhraççı | French Indochina |
|---|---|
| Yıl | 1887 |
| Tür | Coin pattern |
| Değer | 1 Sapeque (0.002 ICFP) |
| Para birimi | Piastre (1880-1952) |
| Bileşim | Nickel silver |
| Ağırlık | |
| Çap | 20 mm |
| Kalınlık | |
| Şekil | Round |
| Teknik | Milled |
| Yönlendirme | Coin alignment ↑↓ |
| Gravürcü(ler) | Jean-Auguste Barre |
| Dolaşımda olduğu yıl | |
| Referans(lar) | KM#E1, Lec#2, PCGS#537386 |
| Ön yüz açıklaması | Lettering around square hole, date below. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı |
INDO-CHINE FRANÇAISE -1887- (Translation: French Indochina) |
| Arka yüz açıklaması | Lettering in Chinese around square hole |
| Arka yüz yazısı | Chinese |
| Arka yüz lejandı |
南安之法國大 當二 (Translation: French Annam Worth two) |
| Kenar | Smooth |
| Darphane |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| Basma adedi |
1887 - - |
| Numisquare Kimliği | 4748049880 |
| Ek bilgiler |
Historical Context: The 1887 Sapeque Pattern emerged during a pivotal period of French colonial consolidation in Indochina, under the Third Republic's expansionist policies. Issued during the presidency of Jules Grévy, this pattern represents a strategic effort to modernize and standardize the monetary system within the newly formed Indochinese Union. It signifies a departure from traditional cast sapeques, exploring new materials and production methods to assert French economic and administrative control over local commerce.
Artistry: While the specific engraver for this pattern is not explicitly recorded, the design reflects the academic realism prevalent at the Monnaie de Paris during the late 19th century. The stylistic school emphasizes clarity, balance, and a precise rendering of motifs. The pattern likely adapted traditional sapeque iconography into a European medallic style, featuring inscriptions such as "INDO-CHINE FRANÇAISE" and the denomination, framed by classical elements like laurel wreaths, characteristic of French colonial coinage.
Technical/Grading: Struck in nickel silver with a diameter of 20mm, the KM#E1 pattern exhibits exceptional technical qualities typical of presentation pieces. High-points for grading would include the intricate details of any lettering, the sharpness of the wreath elements, and the relief of the central device. Patterns are often struck with considerable pressure, resulting in a full, sharp strike, crisp rims, and often a lustrous surface that may approach a proof-like finish, showcasing the alloy's potential for durable, well-defined coinage.