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| 正面描述 | Central field displays a large quartered heraldic shield divided per pale, bearing on the dexter side the Jerusalem cross (a large cross potent accompanied by four smaller crosslets) and on the sinister side three fleurs-de-lis arranged two and one, representing the Angevin claim to the Kingdom of Jerusalem and the French royal arms respectively. The shield is rendered in high relief with a pointed base in the Gothic style. The entire design is enclosed within a beaded inner circle, with the royal legend running continuously in Gothic lettering between the beaded border and the outer rim. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | ✠ KAROL'· SCD' · IЄRL'· ЄT · SICIL' · RЄX (Translation: Charles the Second, King of Sicily and Jerusalem) |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
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| 附加信息 |
Charles II of Anjou struck this issue while simultaneously navigating one of the most punishing political settlements of the medieval Mediterranean: the War of the Sicilian Vespers, which had erupted in 1282 and stripped the Angevins of Sicily itself, leaving Naples as the rump of what had been a unified kingdom. The saluto d'argento denomination took its name from the Annunciation type, linking dynastic legitimacy to Marian devotion at a moment when the Angevins badly needed both divine and papal sanction.
Charles spent much of this reign as a prisoner of Aragon — captured at the Battle of the Gulf of Naples in 1284 — and did not actually rule in his own right until 1288.