Salut d'Oro - Carlo I

Emisor Naples, Kingdom of
Año 1266-1278
Tipo Standard circulation coin
Valor 1 Saluto d`Oro (5)
Moneda Piastra (1266-1812)
Composición Gold
Peso 4.37 g
Diámetro
Grosor
Forma Round
Técnica Hammered
Orientación
Grabador(es)
En circulación hasta
Referencia(s) Fr#808, Biaggi#1624
Descripción del anverso Archangel Gabriel looks right to godmother
Escritura del anverso
Leyenda del anverso
Descripción del reverso Arms
Escritura del reverso
Leyenda del reverso
Canto
Casa de moneda
Tirada ND (1266-1278) - -
ID de Numisquare 1722166560
Información adicional

Historical Context: The Salut d'Oro of Carlo I represents a pivotal numismatic issue from the Kingdom of Naples during the Angevin period (1266-1278). Carlo I, Charles of Anjou, ascended to the throne after his decisive victory over Manfred of Hohenstaufen in 1266, marking the end of Hohenstaufen rule in Southern Italy. This gold coinage, weighing 4.37 grams, was introduced to assert his new authority, stabilize the economy, and establish a prestigious currency rivaling the earlier augustales. It signified a new era of Angevin dominance and ambition in the Mediterranean, reflecting Carlo I's powerful political and economic agenda.

Artistry: The Salut d'Oro is renowned for its distinctive design, characteristic of the early Gothic artistic style prevalent in 13th-century Italy. While specific engravers are not typically recorded for this period, the coin emanated from the royal mint workshops. The obverse prominently features the Annunciation scene, depicting the Archangel Gabriel greeting the Virgin Mary. This highly symbolic and devotional imagery, from which the coin derives its name "Salut" (salutation), underscored the ruler's piety and sought divine legitimacy for his reign. The reverse typically displays a cross, often ornate, with surrounding legends.

Technical/Grading: As a hammered gold issue of the medieval period, the Salut d'Oro exhibits characteristics typical of its manufacture. Key high-points for wear and strike quality on the obverse include the faces and hands of the Virgin Mary and Gabriel, as well as the intricate folds of their drapery. On the reverse, the central ornamentation of the cross and the legend clarity are crucial. Collectors should look for a well-centered strike, though some degree of planchet irregularity and minor weakness in peripheral details is common. Full legibility of the legends and strong definition of the central Annunciation figures are highly desirable for optimal grading.

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