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| 表面の説明 | Vertically formatted note with a stark, unornamented field centred on the large seal-script character 壹 (one) rendered in bold brushwork, with the Arabic numeral 1 printed in smaller type immediately below; the composition is enclosed within a simple ruled border with no further vignette or guilloche ornament, the calligraphic character itself serving as the sole design element. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Vertical format centred on a rectangular cartouche enclosing three large archaic seal-script (tensho) characters in dark brown ink on pale paper stock; two red official seal impressions occupy the upper register, a semi-circular scrollwork vignette appears at the lower margin, and a manuscript notation is visible toward the lower left. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Daijo-kan notes of 1867 were issued by the imperial government apparatus during the final, chaotic months of Tokugawa rule — a period when the shogunate was collapsing and the forces behind the Meiji Restoration were consolidating power. This note predates the formal Meiji monetary system by several years, placing it firmly in the transitional vacuum between feudal currency arrangements and centralized modern issuance.
Japan had essentially no domestic commercial banknote printing tradition at this point. These notes were produced using woodblock techniques, the same craft technology applied to ukiyo-e printmaking, rather than the intaglio processes Western note printers were employing simultaneously. That manufacturing method makes condition assessment complicated — ink absorption and paper behavior differ fundamentally from engraved issues.
The RyoGold denomination ties it to the ryo, the gold-standard unit that the Meiji government formally abolished when introducing the yen in 1871.