目录
| 发行方 | Belgium |
|---|---|
| 年份 | |
| 类型 | Replica coin |
| 面值 | 21/2 Francs |
| 货币 | Franc (1832-2001) |
| 材质 | Silver (.925) |
| 重量 | 12.36 g |
| 直径 | 30 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Effigy of King Leopold I, facing left, bare head |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | LEOPOLD PREMIER ROI DES BELGES L. Wiener |
| 背面描述 | Belgian coat of arms with the face value on either side, surrounded by laurel and the national motto |
| 背面文字 | Latin |
| 背面铭文 | L’UNION FAIT LA FORCE 2 1/2 F fleur à gauche, R à droite 1848 |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
ND - - |
| Numisquare 编号 | 5654653630 |
| 附加信息 |
Historical Context: This Replica 2 1/2 francs of 1848 commemorates a design from the early reign of Leopold I, Belgium's first king (1831-1865). The year 1848 was a period of significant political upheaval across Europe, yet Belgium, having secured its independence in 1830, maintained relative stability under its new constitutional monarchy. The original 2 1/2 francs denomination, though less common than the 2 or 5 francs, would have represented a specific fractional value within the nascent Belgian monetary system, reflecting the young kingdom's efforts to establish a distinct national coinage following its separation from the Netherlands.
Artistry: The design of this coin is characteristic of the Neoclassical stylistic school prevalent in European coinage of the mid-19th century. The original engraver for Belgian coinage of this period was Joseph-Pierre Braemt, whose work is known for its dignified and restrained portraits. The obverse typically features a regal effigy of King Leopold I, rendered with classical precision and gravitas. The reverse would display the heraldic lion of Belgium, often crowned and rampant, encircled by the national motto "L'UNION FAIT LA FORCE" and the denomination, all enclosed within a decorative wreath, embodying the kingdom's strength and unity.
Technical/Grading: Struck in .925 fine silver, weighing 12.36 grams and measuring 30 millimeters, this replica adheres precisely to the specifications of the historical prototype. For grading purposes, key high-points on the obverse include the highest curls of Leopold's hair, the ear, and the prominent features of his facial profile. On the reverse, critical areas for detail assessment are the lion's mane, crown, and the intricate elements of the wreath. As a modern replica, its strike quality is typically very sharp, often exhibiting full, crisp details across all design elements and a pristine field, potentially surpassing the average strike of period originals.