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| 表面の説明 | Within a raised inner circle, the Basel arms (a black diagonal staff or crozier on a white field) are depicted at center, flanked by four stylized lilies radiating symmetrically toward the four cardinal points of the shield. The entire central design is enclosed by a prominent outer border of raised pellets, characteristic of early 16th-century Swiss hammered coinage. The field is plain with no legend or inscription. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ND (1500-1550) |
| 追加情報 |
A gold Rappen from Basel in this weight class is an unusual instrument — the denomination was overwhelmingly a billon or silver matter, and gold strikes at this module were almost certainly presentation or donative pieces rather than anything that passed through a merchant's hand. Basel's mint authority in the early sixteenth century operated under significant tension with the Bishop of Basel, whose own coinage rights overlapped uncomfortably with those of the civic council, a dispute that sharpened considerably after the city formally joined the Swiss Confederation in 1501.