カタログ
| 発行体 | Himyarite Kingdom (Southern Arabia) |
|---|---|
| 年号 | 100-120 |
| 種類 | Standard circulation coin |
| 額面 | Quinarius (1/2) |
| 通貨 | Denarius |
| 材質 | Silver |
| 重量 | 1.59 g |
| 直径 | 15 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG ANS 6#1596 |
| 表面の説明 | Large bust of king right, within beaded border with monogram behind. |
|---|---|
| 表面の文字体系 | Ancient South Arabian |
| 表面の銘文 | |
| 裏面の説明 | Small bust of king right, name and mint inscriptions around. |
| 裏面の文字体系 | Ancient South Arabian |
| 裏面の銘文 |
MDN BYN RYDN (Translation: Amdān Bayān Yahaqbiḍ Raydan) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (100-120) - - |
| Numisquare ID | 6947918200 |
| 追加情報 |
Historical Context: This Himyarite Quinarius, 100-120 AD, reflects a period of significant consolidation and prosperity in Southern Arabia. The Himyarites, a dominant power, controlled vital trade routes, necessitating a sophisticated monetary system. The "Amdan Bayyin Monogram" likely signifies a prominent ruler or mint authority, underscoring the era's adoption of Hellenistic and Roman numismatic influences, adapted to local Himyarite political structures. This silver denomination indicates active commerce and regional integration.
Artistry: The coin’s artistry reflects a distinctive Himyarite style, blending indigenous traditions with external influences. While no specific engraver is known, the "large bust" type on the obverse demonstrates a focus on royal portraiture, often stylized rather than naturalistic, characteristic of Himyarite iconography. The reverse features the intricate "Amdan Bayyin Monogram," a sophisticated epigraphic design representing the issuer's name. This fusion of portraiture and monogrammatic identification showcases the advanced artistic capabilities of the Himyarite mints.
Technical/Grading: Weighing 1.59 grams and 15 millimeters, this silver quinarius is a small, intricate piece. High-points susceptible to wear include the prominent features of the "large bust"—nose, forehead, and headwear—and the delicate junctions within the "Amdan Bayyin Monogram." A well-struck example exhibits sharp details across both sides, with the bust clearly defined and the monogram fully legible, indicating a strong impression from fresh dies onto a well-prepared flan. Off-centering or strike weakness are common considerations.