Quarter Grosso - Emanuele Filiberto 2nd type

Emitent Savoy, Duchy of
Rok 1553-1580
Typ Standard circulation coin
Nominał 1/4 Grosso (1⁄60)
Waluta Lira
Skład Billon
Waga 0.9 g
Średnica 19 mm
Grubość 0.5 mm
Kształt Round
Technika
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) Biaggi#456, MIR#540
Opis awersu FERT between 4 lines, surrounded by legend
Pismo awersu Latin
Legenda awersu + E: PHILIBERTVS: DVX: SAV FERT
Opis rewersu Saint Maurice`s cross
Pismo rewersu Latin
Legenda rewersu + ET. AVG. PRETORIE. N. V
Krawędź
Mennica
Nakład ND (1553-1580) DVX:SA - Aosta -
ND (1553-1580) DVX:SAV - Aosta -
ID Numisquare 6490923870
Dodatkowe informacje

Historical Context: This Quarter Grosso, Emanuele Filiberto’s second type, was struck between 1553 and 1580, a pivotal period for the Duchy of Savoy. Emanuele Filiberto, "Testa di Ferro," inherited a state ravaged by the Italian Wars. His reign marked a remarkable recovery, solidified by the Peace of Cateau-Cambrésis (1559), which largely restored his territories. He reformed the military and moved the capital to Turin. This billon coinage reflects his renewed sovereignty and the practical monetary needs of a consolidating state.

Artistry: While specific engravers for such billon issues are often unrecorded, the coin’s design adheres to prevailing Late Renaissance numismatic style. Emanuele Filiberto’s effigy, likely on the obverse, presented a dignified, stylized portrait reflecting his authority. The reverse typically featured a prominent heraldic device of the House of Savoy, such as the ducal shield. The "2nd type" designation suggests a refinement or alteration from an earlier design, perhaps reflecting evolving iconography or minting practices during his long reign.

Technical/Grading: Struck in billon (0.9 gg, 19 mmmm), this coin often exhibits features characteristic of its metallic composition and utility. High points for wear typically include the Duke’s hair, nose, and any crown or helmet details, as well as intricate elements of the heraldry. Due to the alloy and often hurried production, examples frequently show weak strikes, particularly at the peripheries, or planchet imperfections. Corrosion and toning are common. A well-struck, centered example with strong details is highly desirable, though challenging to find.

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