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| 正面描述 | Draped bust of Pope Innocent X facing right, wearing the papal camauro cap and richly embroidered cope, rendered in high relief in the Baroque style characteristic of mid-seventeenth-century Roman die-cutting. The pontiff's aged features are rendered with pronounced physiognomic detail, including a hooked nose and defined chin. A beaded inner circle frames the effigy, separating it from the surrounding peripheral legend. The Latin legend INNOCENTIVS • X • PONT • MAX • 1647 runs continuously around the circumference, identifying the pope by name and title with the emission year. |
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| 背面描述 | Central field displays the heraldic arms of Cardinal Camillo Pamphili, comprising a shield charged with the Pamphili family device — a dove bearing an olive branch — surmounted by a papal tiara and crossed keys, all encircled by a cardinal's hat with tasselled cords hanging to either side. The shield and insignia are enclosed within a beaded inner circle. The surrounding Latin legend CAMILLVS • CARD • PAMPHILIVS • LEGAT • AVEN • runs continuously around the periphery, identifying the cardinal legate and his seat at Avignon. The composition is bold and symmetrical, executed in the High Baroque engraving style. |
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| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
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| 附加信息 |
Innocent X despised his sister-in-law Olimpia Maidalchini so thoroughly that he briefly exiled her from the Vatican in 1646 — then almost immediately recalled her because he couldn't manage without her. That same year he appointed his nephew Camillo Pamphili as Cardinal-Legate to Avignon, though Camillo renounced the cardinalate in 1647 to marry, making this issue a product of an exceptionally narrow administrative window. The Comtat Venaissin had been a papal enclave within French territory since 1274, and its mint at Avignon operated semi-independently under whichever legate held the appointment.
Camillo's legation lasted only months before his resignation threw the succession into disarray.