Catalogue
| Émetteur | City of Corduba (Turduli people) |
|---|---|
| Année | 140 BC - 90 BC |
| Type | Standard circulation coin |
| Valeur | 1 Quadrans (1/4) |
| Devise | As (mid 2nd century BC) |
| Composition | |
| Poids | 6.60 g |
| Diamètre | 20 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | ACIP#2491 |
| Description de l’avers | Head of Venus braided head, facing left. Necklace and earrings bust. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | L FVRIVS |
| Description du revers | Winged Eros, standing naked, holding a cornucopia in his left hand. His right hand is outstretched, to the left; caduceus under. |
| Écriture du revers | Latin |
| Légende du revers | BAL |
| Tranche | |
| Atelier | |
| Tirage |
ND (140 BC - 90 BC) - - |
| ID Numisquare | 6781768610 |
| Informations supplémentaires |
Historical Context: This Quadrans was issued by the City of Corduba, a pivotal Turduli settlement in Hispania Ulterior, during a period of intense Roman consolidation from 140 BC to 90 BC. While under increasing Roman hegemony, Corduba retained the right to strike its own bronze coinage for local commerce. This issue reflects the city’s economic vitality and its role as a burgeoning administrative and commercial hub, providing essential small denomination currency for daily transactions in a rapidly evolving Iberian landscape.
Artistry: The anonymous engravers of Corduba during this era typically worked within a provincial Roman-Iberian stylistic school. The obverse commonly features a male head, often interpreted as a local deity or a representation of Janus, rendered with robust, somewhat stylized features characteristic of local bronze issues. The reverse design frequently depicts an animal, such as a bull, or an agricultural implement, symbolizing the region's prosperity and resources. These designs, while influenced by Roman prototypes, maintain a distinct local aesthetic, reflecting the cultural synthesis occurring in Hispania.
Technical/Grading: As with many contemporary bronze issues, the technical quality of this Quadrans can vary significantly. High-points susceptible to wear include the hair, nose, and cheekbone on the obverse portrait, and the highest relief areas of the reverse motif. Strikes are often off-center, and flans can be irregular in shape and thickness, sometimes exhibiting casting flaws. A premium example would display a well-centered strike, full design details on both sides, and an attractive, stable patination, indicative of careful production and preservation.