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Potin Unit Dover M-Line

Uitgever Uncertain tribe Brittonic (Celtic Britain)
Jaar 100 BC - 90 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Cast
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Highly stylised, schematised head rendered in the debased Late Celtic casting tradition, presented as a amorphous, globular mass with vestigial facial features. The design is characteristic of the Dover potin series, in which the original Massalian prototype has been reduced to an abstract arrangement of lumps and ridges. The flan is irregular and the surface displays the coarse texture typical of cast potin alloy.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A prominent thick vertical bar occupies the central field, a defining feature of the Dover M-Line type within the broader Kentish potin series. The letter M appears above the bar, serving as the principal identifying mark of this die-group. The surrounding field is largely plain, with the rough, pitted surface characteristic of cast potin fabric. Design elements are low in relief and the flan edges are irregular.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Potin coinage in Britain was almost certainly introduced through contact with the Gallo-Belgic tribes across the Channel rather than developed independently, and the Dover region pieces represent some of the earliest struck examples in southeast England. The "M-line" designation refers to a specific die-linked series identified in the Allen-Van Arsdell typology, distinguished by a linear element in the casting structure rather than any design feature. These were cast, not struck — a fundamental production distinction that separates British potin from most contemporary Continental issues.

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