目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Highly stylised and abstracted head facing left in the Celtic artistic tradition, rendered in cast potin with bold schematic lines. The facial features are reduced to a circular eye motif surrounded by curved lines suggesting hair or a wreath, with sweeping arcs emanating from a central boss. The design is characteristic of the Cantian potin series, showing the progressive abstraction of a classical head prototype. Multiple curved lines radiate outward within the rounded, irregular flan, typical of the Holman Group C2 variety. No legend or inscription is present, the entire field being occupied by the geometric figural motif. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (105 BC - 90 BC) - C2/1-1 (Allen B): Head left. Bull left |
| 附加信息 |
Potin coinage among the Cantii was locally cast rather than struck, a production method that sets it apart from virtually all contemporary Continental issues. The Holman C2 classification distinguishes a specific casting variation within a broader typological sequence that took decades for scholars to untangle — earlier researchers lumped many of these together until die and composition studies allowed finer separation. The alloy itself, a tin-bronze mix, was sourced and smelted locally in southeast Britain, and trace-element analysis has helped map rough production zones across what is now Kent.