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| 正面描述 | Highly schematised and deeply degraded head facing left, rendered in the abstract La Tène Celtic artistic tradition derived from a Massalian prototype. The facial elements are reduced to bold curved and linear cast lines, with a prominent circular eye and sweeping lines suggesting a neck or chin below. On variety B1/2-1, an additional curved line encircles the head, interpreted as a vestigial degraded helmet; this feature is absent on variety B1/2-2. No legend or inscription of any kind appears in the field. The design is the product of successive copying of an original Hellenistic model, resulting in a highly stylised, nearly abstract composition characteristic of early Cantian potin coinage. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
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| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (115 BC - 100 BC) - B1/2–1: Head left, extra curved line around (a degraded helmet). Bull right - ND (115 BC - 100 BC) - B1/2–2: Head left (no extra line). Bull right - |
| 附加信息 |
The Cantii occupied the territory now roughly corresponding to Kent, and their potin coinage is among the earliest struck — or more precisely, cast — money produced in Britain. Potin, a tin-rich bronze alloy, was used across southern Britain and northern Gaul for low-denomination exchange before the Roman conquest made such local issues obsolete. The casting process rather than striking distinguishes these from later Celtic coins entirely.
Holman's classification system, built from a corpus assembled over decades, places this B1 variety at the beginning of the sequence — the earliest recognizable Cantian type.