Catalog
| Obverse description | Head diademed with a headband on the left, hair indicated by three strands, neck by three small lines. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Boar with bristly bristles to the right, tail curved; shaft surmounted by a large central ringlet flanked by two small ringlets placed at the tips of the boar`s legs. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (75 BC - 50 BC) - - |
| Numisquare ID | 1002182700 |
| Additional information |
Historical Context: This Potin au sanglier classe Ie was issued by the Leuci, a significant Gallic tribe inhabiting the region of modern Lorraine, France, during the turbulent period of 75-50 BC. This era immediately preceded and encompassed Julius Caesar's conquest of Gaul, marking a pivotal transition from independent Celtic tribal societies to Roman provincial rule. Leucian coinage, primarily potins, played a crucial role in local commerce and identity amidst increasing Roman influence and the impending loss of tribal autonomy.
Artistry: Characteristic of Celtic numismatic art, this coin's design reflects the distinctive La Tène stylistic tradition, emphasizing abstraction and symbolic representation rather than classical realism. While no individual engraver is known, the artistic execution would have followed tribal conventions. The "sanglier" (boar) motif, likely on the reverse, is a powerful Celtic symbol, embodying ferocity, courage, and often linked to deities or warrior classes. The obverse typically features a highly stylized human head, often derived from Hellenistic prototypes.
Technical/Grading: Fashioned from potin, a cast alloy of copper, tin, and lead, this coin's fabric is typical for Gallic issues of the period. At 5.24 grams and 17.5 mm, its specifications align with the series. Due to its casting method, technical qualities are assessed by the completeness of the pour and definition of details rather than strike. Well-preserved examples exhibit minimal porosity, clear rendering of the stylized head and boar, and a generally even planchet, with wear evident on the highest relief points.