カタログ
| 表面の説明 | Facing bust rendered in schematic Celtic style, featuring a large, disproportionate laureate head filling most of the flan. The facial features are boldly modelled in low relief, with a prominent circular eye rendered as a concentric ring, a broad nose, and an open mouth. The hair is suggested by radiating pellets and curved relief lines flanking the face, and the overall treatment is highly stylised, characteristic of the Sequani potin casting tradition. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Sequani occupied the territory of modern Franche-Comté, and their potin coinage was likely a local response to the practical need for low-value exchange in a region where silver was controlled or scarce. Potin — a cast tin-bronze alloy — was never struck but poured into molds, which is why these pieces often show casting sprues and irregular surfaces that specialists treat as diagnostics rather than flaws.
The type spans roughly three decades during which Caesar's campaigns progressively dismantled Sequanian autonomy, the tribe having made the catastrophic political miscalculation of inviting Roman intervention against the Helvetii in 58 BC.