カタログ
| 発行体 | City of Solothurn |
|---|---|
| 年号 | 1401-1499 |
| 種類 | Standard circulation coin |
| 額面 | 1 Plappart (1⁄50) |
| 通貨 | Guldiner (15th century-1579) |
| 材質 | Silver |
| 重量 | 1.96 g |
| 直径 | 26 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 2#2-816a, SMK7 Slt#26 |
| 表面の説明 | Eagle above arms dividing S O, within double quadrilobe. |
|---|---|
| 表面の文字体系 | Latin (uncial) |
| 表面の銘文 |
+ MONET : SOLODORENSIS (Translation: Money of Solothurn) |
| 裏面の説明 | Full-length figure of saint in armor facing forward. Lance with flag in right hand, shield with cross in left. |
| 裏面の文字体系 | Latin (uncial) |
| 裏面の銘文 |
SANCTVS VRSVS (Translation: Saint Ursus) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1401-1499) - - |
| Numisquare ID | 3101282440 |
| 追加情報 |
Historical Context: The Plappart, issued by the Free Imperial City of Solothurn from 1401-1499, signifies a critical era of urban development and autonomy. Solothurn, a strategic city, gained economic and political influence, joining the Swiss Confederacy in 1481. This 1.96-gram silver coin was vital for local commerce, demonstrating the city's sovereign right to mint currency, reflecting its prosperity and regional importance within the Old Swiss Confederacy.
Artistry: The engraver is unrecorded, typical for 15th-century municipal mints. The Plappart’s design aligns with the Late Gothic stylistic school. Obverse designs commonly feature Solothurn's patron saint, Saint Ursus, often standing or enthroned. The reverse typically displays the city's coat of arms—a red field with a white horizontal bar—or a prominent cross. Execution prioritizes clear civic and religious identity, reflecting medieval coinage's functional nature.
Technical/Grading: Struck on a 26mm silver flan, the Plappart often shows 15th-century minting limitations. High-points for wear or strike weakness include Saint Ursus's facial features and drapery, or the Solothurn shield's central elements. Strike quality varies; off-center strikes, irregular planchets, and inconsistent pressure are common. A well-centered example with full details on both sides, particularly the saint's attributes and heraldic elements, would be considered exceptional for the type.