Katalog
| İhraççı | Habsburg-Laufenburg, Counts of |
|---|---|
| Yıl | 1251-1300 |
| Tür | Standard circulation coin |
| Değer | 1 Pfennig |
| Para birimi | Pfennig (12th-15th century) |
| Bileşim | Silver |
| Ağırlık | 0.34 g |
| Çap | |
| Kalınlık | |
| Şekil | Round with 4 pinches |
| Teknik | |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HMZ 1#1-121b |
| Ön yüz açıklaması | Lion walking left inside circle. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Blank. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1251-1300) - - |
| Numisquare Kimliği | 4160847370 |
| Ek bilgiler |
Historical Context: This Pfennig, known as the 'Vierzipfliger Löwenpfennig', was issued by the Counts of Habsburg-Laufenburg between 1251 and 1300. This period coincided with the Great Interregnum in the Holy Roman Empire, a turbulent era that fostered the increasing economic autonomy of regional noble houses. The Habsburg-Laufenburg line, a significant branch of the Habsburg dynasty, solidified their territorial influence in the Upper Rhine region, and this coinage served as a crucial instrument for local commerce and asserting their sovereign authority within their domains.
Artistry: The design of this Pfennig reflects the characteristic stylistic trends of High Medieval Germanic numismatic art. While the specific engraver remains anonymous, typical of the era, the coin's nomenclature, 'Vierzipfliger Löwenpfennig', indicates a central motif of a lion, likely rendered with four distinct points or within a quadrilobe. This heraldic lion, a common symbol of power and nobility, would have been depicted in a simplified, yet recognizable form, adapted to the small flan size inherent to Pfennig coinage.
Technical/Grading: Weighing a mere 0.34 grams in silver, this Pfennig's small dimensions present specific challenges for strike quality. Key high-points for grading would include the definition of the lion's head, mane, and the clarity of its "four points," along with any surrounding legend or border elements. Typical strikes from this era often exhibit weaknesses, including off-centering, partial strikes, or planchet irregularities. A well-struck example would display a sharp, complete impression of the lion and its features, despite the inherent crudeness of medieval minting technology.