Catalog
| Issuer | Fraumünster, Abbey of |
|---|---|
| Year | 1201-1300 |
| Type | Standard circulation coin |
| Value | 1 Pfennig |
| Currency | Pfennig (12th-15th century) |
| Composition | Silver (0.37) |
| Weight | 0.34 g |
| Diameter | 14 mm |
| Thickness | |
| Shape | Round with 4 pinches |
| Technique | |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HMZ 1#1-623 |
| Obverse description | Head of St. Felix facing left. |
|---|---|
| Obverse script | |
| Obverse lettering | TVREGVM |
| Reverse description | Blank. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (1201-1300) - - |
| Numisquare ID | 7123598770 |
| Additional information |
Historical Context: This Pfennig, known as the 'Vierzipfliger', was issued by the powerful Fraumünster Abbey in Zurich during the 13th century. As an imperial abbey, Fraumünster held significant economic and political sway, including the crucial privilege of minting coins. This era marked a period of urban consolidation and growing autonomy within the Holy Roman Empire, with the abbey's coinage underscoring its jurisdictional authority and essential role in local commerce.
Artistry: Engravers of this period remain anonymous, operating within the developing stylistic conventions of early medieval numismatic art. The 'Vierzipfliger' design typically features a central cross, often a cross potent or similar variant, with four distinct elements or 'tassels' in its quarters, giving the coin its name. The reverse usually bears a simplified inscription, often alluding to the minting authority or the city of Zurich, characterized by robust, albeit stylized, forms.
Technical/Grading: Struck on a small, often irregular 14mm flan, this Pfennig weighs 0.34 grams and possesses a billon composition of 0.37 silver fineness, reflecting typical late medieval debasement. High-points for preservation include the central cross and any discernible legend elements. Due to broad, hurried strikes, these coins frequently exhibit weak impressions, especially on the periphery, leading to partial inscriptions. Planchet irregularities and off-centering are common, impacting overall visual appeal and grade.