Katalog
| Emitent | Fraumünster, Abbey of |
|---|---|
| Rok | 1201-1300 |
| Typ | Standard circulation coin |
| Nominał | 1 Pfennig |
| Waluta | Pfennig (12th-15th century) |
| Skład | Silver (0.37) |
| Waga | 0.41 g |
| Średnica | 20 mm |
| Grubość | |
| Kształt | Round with 4 pinches |
| Technika | |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | HMZ 1#1-616 |
| Opis awersu | Head of Saint Felix to right. |
|---|---|
| Pismo awersu | |
| Legenda awersu | ZVRICH |
| Opis rewersu | Blank. |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (1201-1300) - - |
| ID Numisquare | 5484112680 |
| Dodatkowe informacje |
Historical Context: This Pfennig 'Vierzipfliger' was issued by Fraumünster Abbey, an Imperial Abbey in Zurich, during the High Middle Ages (1201-1300). Amidst the Holy Roman Empire's shifting power dynamics, including the Staufer decline, Fraumünster’s abbesses wielded significant temporal authority, notably the right of coinage. This coin is a tangible symbol of the abbey's sovereign rights and economic influence within the growing urban center of Zurich, illustrating the decentralized power structure of medieval Central Europe.
Artistry: The engraver remains anonymous, typical of medieval minting. Stylistically, the piece reflects regional Romanesque traditions, with nascent Gothic influences, common in 13th-century German-speaking lands. The 'Vierzipfliger' designation describes a characteristic four-lobed or four-pointed central design element, often a cross or star. Iconography typically includes a simplified bust, perhaps of Charlemagne as the abbey's founder, or a prominent religious symbol, executed with a direct and functional medieval aesthetic.
Technical/Grading: Struck in 0.37 fineness silver, weighing 0.41 grams, and 20mm in diameter, this coin is exceptionally thin. High-points, like the bust's apex or central motif, are frequently weakly struck or exhibit wear due to the slender flan. Technical strike qualities often include irregular planchets, off-center strikes, and variable die alignment, reflecting hand-hammered production. The low silver content also contributed to the metal's malleability and susceptibility to damage during circulation.