Danh mục
| Đơn vị phát hành | Fraumünster, Abbey of |
|---|---|
| Năm | 1201-1300 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Pfennig |
| Tiền tệ | Pfennig (12th-15th century) |
| Chất liệu | Silver (0.37) |
| Trọng lượng | 0.37 g |
| Đường kính | 15 mm |
| Độ dày | |
| Hình dạng | Round with 4 pinches |
| Kỹ thuật | |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | HMZ 1#1-621b |
| Mô tả mặt trước | Facing head of Felix, on the left, and 3/4 facing head of Regula, on the right; above, crescent. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Blank. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1201-1300) - - |
| ID Numisquare | 2265398640 |
| Thông tin bổ sung |
Historical Context: Issued by the powerful Fraumünster Abbey in Zurich, this Pfennig 'Vierzipfliger' dates to the High Middle Ages (1201-1300). As an Imperial Abbey, Fraumünster held significant economic and political autonomy, including minting rights. The abbesses were influential figures, often governing Zurich directly. This coin type underscores the abbey's imperial privileges and its vital role in the regional economy of what would become Switzerland, facilitating local commerce during a period of evolving feudal structures and urban development.
Artistry: The specific engraver remains anonymous, typical for medieval coinage. Stylistically, this Pfennig belongs to the transitional Romanesque-Gothic period, characterized by stylized, often abstract designs due to the small flan size. The 'Vierzipfliger' name likely refers to a central motif, possibly a stylized bust or cross within a quatrefoil or four-lobed frame, a common regional design. The surrounding legend, often abbreviated, would typically identify the issuing authority or a religious invocation.
Technical/Grading: This small silver Pfennig, weighing 0.37 grams and measuring 15 mm, exhibits characteristics typical of early medieval minting. High-points would include the central design elements, such as the tips of the 'Vierzipfliger' motif or any facial features, and the outer legend. Due to the thin flan and often irregular striking pressure, these areas frequently show weakness or flatness. Expect common technical strike qualities such as off-center strikes, incomplete legends, and irregular flan shapes, inherent to the era's production methods rather than indicative of wear.