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| 正面描述 | Frontal bust of a bishop in ecclesiastical vestments, arms raised with hands extended in a gesture of blessing or orans posture. The effigy is rendered in a schematic Romanesque style typical of mid-13th century Austrian bracteate-related coinage. A circular legend in Latin script appears in the field between two concentric linear circles, reading [*KROIACI] or a variant thereof, likely referencing the mint or issuing authority. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Frontal bust of an angel rendered in a stylized Romanesque manner, with features schematically delineated. Above the angelic figure rises a triple arcade or trilobed arch surmounted by a cross, a composition evoking an architectural or ecclesiastical setting. The design is enclosed within a border of alternating lines and pellets, characteristic of Friesacher Pfennig-related issues of the mid-13th century. No legend or inscription is present on the reverse. The overall relief is low and the die execution consistent with hand-hammered provincial silver coinage of the period. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Philipp von Spanheim held the archbishopric from 1247 until his death in 1257, after which Ulrich II of Plainberg continued the see through 1265 — the overlapping attribution reflects how closely the Friesach mint's output tracked administrative rather than artistic change, leaving die evidence insufficient to assign many types to a single pontificate with certainty. Friesach itself, in Carinthia, had been a major silver-striking center since the late twelfth century, its output circulating across a surprisingly broad stretch of the eastern Alpine trade network.