カタログ
| 発行体 | Chur, Bishopric of |
|---|---|
| 年号 | 1503-1541 |
| 種類 | Standard circulation coin |
| 額面 | 1 Pfennig (1⁄360) |
| 通貨 | Groschen (1251-1565) |
| 材質 | Silver |
| 重量 | 0.23 g |
| 直径 | 14 mm |
| 厚さ | |
| 形状 | Round |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 1#2-383a |
| 表面の説明 | Ibex facing left within circle of pearls with P at top. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | P |
| 裏面の説明 | Blank. |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1503-1541) - - |
| Numisquare ID | 9060942030 |
| 追加情報 |
Historical Context: This Pfennig was issued by the Bishopric of Chur under Prince-Bishop Paul Ziegler (1503-1541). Ziegler's long reign coincided with a tumultuous period in Central Europe, marked by the burgeoning Protestant Reformation and shifting political allegiances within the Holy Roman Empire and the nascent Swiss Confederacy. As a prince-bishop, Ziegler held both ecclesiastical and secular authority over Chur. This small silver denomination served as essential currency for daily transactions, reflecting the economic necessities of the local populace amidst broader geopolitical and religious transformations.
Artistry: While specific engraver details for this humble Pfennig are unrecorded, its design reflects the transitional Late Gothic to early Renaissance styles prevalent in Germanic and Swiss mints of the early 16th century. For such a small module (14 mm), the artistry prioritized legibility and symbolic representation over intricate detail. Typically, these coins featured a simplified depiction of the bishop's mitre or coat of arms on one side, paired with a cross or basic monogram on the reverse, accompanied by abbreviated legends. The overall aesthetic would be utilitarian, characteristic of everyday coinage.
Technical/Grading: Struck in silver, weighing a mere 0.23 grams and measuring 14 millimeters, this Pfennig exemplifies the challenges of early modern minting. Coins of this diminutive size were typically hand-struck, resulting in frequent irregularities such as off-center strikes, weak impressions, and variable flan shapes. High-points susceptible to wear include central design elements like a cross or mitre, as well as the lettering. Due to its extensive circulation as fractional currency, finding examples with full detail, sharp strikes, and minimal wear is exceedingly rare, making high-grade specimens particularly prized.