目录
| 发行方 | Chur, Bishopric of |
|---|---|
| 年份 | 1491-1503 |
| 类型 | Standard circulation coin |
| 面值 | 1 Pfennig (1⁄360) |
| 货币 | Groschen (1251-1565) |
| 材质 | Silver |
| 重量 | 0.15 g |
| 直径 | 13 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | HMZ 1#2-379a |
| 正面描述 | Shield with Ibex facing left within circle. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Blank. |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1491-1503) - - |
| Numisquare 编号 | 5894725370 |
| 附加信息 |
Historical Context: This Pfennig was issued under Henry VI, Bishop of Chur, during his episcopate from 1491 to 1503. The Bishopric of Chur, a Prince-Bishopric within the Holy Roman Empire, held significant strategic importance in the Alpine region, controlling vital trade routes. Henry VI, a member of the influential Montfort-Tettnang family, navigated a complex political landscape during a period of transition from the late medieval to the early modern era. The Pfennig, a foundational small silver denomination, was essential for local commerce and underscored the Bishopric's sovereign right to mint coinage.
Artistry: The artistry of this diminutive Pfennig (13mm) adheres to the prevailing late Gothic numismatic style common in Central Europe. Engravers, typically anonymous for such small denominations, prioritized clear, albeit simplified, iconography over elaborate detail. Common designs for Chur Pfennigs of this period often feature the Bishop's personal coat of arms, a mitre and crozier, or a stylized depiction of Saint Lucius, the patron saint of Chur, on the obverse. The reverse usually displays a simple cross or an imperial eagle, reflecting both ecclesiastical and imperial authority.
Technical/Grading: From a technical standpoint, this Pfennig, weighing a mere 0.15 grams of silver, was struck on a thin and often irregularly shaped planchet, characteristic of late medieval hammered coinage. Consequently, specimens frequently exhibit weak strikes, particularly towards the edges, and off-centering is common. High-points prone to wear typically include the central elements of any depicted arms, the apex of a mitre, or the highest relief points of a saint's effigy. A well-centered example with full details and a strong strike is considered a rarity for this issue.