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Pfennig - Austrian Interregnum
| Uitgever | Duchy of Austria (Austrian States) |
|---|---|
| Jaar | 1230-1250 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 1.03 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central field depicts a forward-facing eagle displayed, rendered in the bold, stylized manner characteristic of Austrian bracteate-influenced pfennigs of the mid-13th century. The eagle's wings are spread and the head is turned to the left, with details of the plumage indicated by incised lines. A crescent or pellet device appears in the upper field to the right of the bird's head. The design is contained within an irregular, pellet-bordered or plain circular boundary typical of hammered coinage of the period. No legend or inscription is present. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The "Austrian Interregnum" designation covers the turbulent gap between the death of Leopold VI in 1230 and the consolidation of Babenberg authority under Frederick II — a period when ducal coinage was issued without consistent central oversight. These bracteate-style pfennigs circulated in a politically fractured duchy, and attribution to specific issuing moments within the window remains genuinely contested among specialists. CNA#B137 places this piece within a recognized typological sequence, but the absence of mint signatures means precise dating relies almost entirely on stylistic comparison.