Catálogo
| Emisor | Rhegion (Bruttium) |
|---|---|
| Año | 211 BC - 201 BC |
| Tipo | Standard circulation coin |
| Valor | Pentonkion (1⁄12) |
| Moneda | Drachm |
| Composición | Bronze |
| Peso | 6.33 g |
| Diámetro | 22 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HN Italy#2554 , SNG ANS 3#756-760 , HGC 1#1712 |
| Descripción del anverso | Helmet head of Athena left. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Athena Nikephoros standing facing, head left; thunderbolt and Π (mark of value) to left. |
| Escritura del reverso | Greek |
| Leyenda del reverso | ΡHΓINΩN Π |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (211 BC - 201 BC) - - |
| ID de Numisquare | 6195649540 |
| Información adicional |
Historical Context: This Pentonkion, issued by Rhegion (Bruttium) from 211 to 201 BC, falls within the latter stages of the Second Punic War. Rhegion, a strategically vital Greek city, was a Roman ally. Its bronze coinage reflects wartime necessities and local autonomy under increasing Roman influence. The Pentonkion denomination (five unciae) highlights the growing Romanization of monetary systems in Magna Graecia, as Rhegion maintained essential civic functions during intense conflict against Hannibal.
Artistry: Engravers for these utilitarian bronze issues remain anonymous. The coin’s artistry reflects the late Hellenistic style common in Southern Italy, often simplified for volume production. Specific designs, though not provided, typically featured local deities or personifications, rendered robustly. This stylistic approach, rooted in Greek tradition, increasingly adopted the pragmatic aesthetic of Roman-era bronze, prioritizing clear identification over intricate detail, a common trait for wartime coinage.
Technical/Grading: Struck in bronze, this Pentonkion measures 22 mm and weighs 6.33 grams. Strike quality, typical for wartime bronze, often varies. High points, such as hair, facial features, or central reverse elements, are first to show wear or weak strike. Flans are frequently irregular, somewhat porous, and off-center strikes are common. A well-centered strike with strong, even pressure revealing full design details represents an exceptional example for this challenging series.