カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A stepped fire altar shown in profile at center, the sacred flame rising from its top, flanked by two standing attendants rendered in frontal or three-quarter stance. The attendant to the left wears a crown with korymbos, identifying him as of royal or high priestly rank, while the attendant to the right wears a mural crown. An Inscriptional Pahlavi legend surrounds the scene within a beaded border. The composition follows the canonical Sasanian reverse type emphasizing Zoroastrian religious symbolism central to the Sasanian dynastic ideology. |
| 裏面の文字体系 | Inscriptional Pahlavi |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Wahram I ruled for just three years before his death in 276, a reign short enough that his bronze coinage remains genuinely scarce relative to his silver drachms. The Sasanian bronze denominations of this period — the pashiz and chalkous — occupied the lower end of everyday exchange, and their survival rate reflects that: heavily circulated, often poorly preserved, and underrepresented in major collections. Wahram I had secured his throne partly through Kartir's clerical influence, a dynamic that shaped court politics more than monetary policy.