| 発行体 | Mysore, Princely state of |
|---|---|
| 年号 | 1810-1868 |
| 種類 | Standard circulation coin |
| 額面 | 1 Pagoda (16) |
| 通貨 | Rupee (1793-1848) |
| 材質 | Gold |
| 重量 | 3.43 g |
| 直径 | 11 mm |
| 厚さ | |
| 形状 | Round |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | GG#546 |
| 表面の説明 | Lord shiva seated, holding his attributes of a trident and a deer, with his consort parvathi seated on his lap, sun and moon above |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Three lines devanagari legend `sri/krishna ra/ja` |
| 裏面の文字体系 | |
| 裏面の銘文 | sri krishna ra ja |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (1810-1868) - - |
| Numisquare ID | 1453421980 |
| 追加情報 |
Historical Context: This gold Pagoda originates from the Princely State of Mysore during the extensive reign of Krishna Raja Wodeyar III (1799-1868), specifically within the 1810-1868 period. Restored to the throne by the British after the Anglo-Mysore Wars, Wodeyar III ruled under their paramountcy. This coin exemplifies the continuation of traditional South Indian coinage systems amidst growing British influence, serving as a crucial economic instrument and a tangible symbol of Mysore’s enduring sovereignty and cultural heritage.
Artistry: The design adheres to established South Indian numismatic tradition, characterized by devotional iconography. While specific engravers are unrecorded for coins of this era, the stylistic school is distinctly indigenous. The obverse commonly features a seated deity, often Lakshmi or Narasimha, rendered with traditional Hindu artistic conventions. The reverse typically bears legends in Kannada or Nagari script, identifying the ruler and denomination, reflecting Mysore's prevailing religious and linguistic identity.
Technical/Grading: Struck in gold, weighing 3.43 grams and measuring 11 millimeters, this coin (GG#546) generally exhibits a strong strike, typical for gold coinage. High points for wear and strike quality include the deity’s crown, facial features, and extremities of the seated figure on the obverse. On the reverse, the clarity and completeness of central script characters are key indicators. Planchet preparation and die alignment can vary, impacting the overall evenness of the strike and design centering.