Obole

Emissor Selge
Ano 350 BC - 300 BC
Tipo Standard circulation coin
Valor Obol (⅙)
Moeda Drachm
Composição Silver
Peso 0.9 g
Diâmetro 10 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação Variable alignment ↺
Gravador(es)
Em circulação até
Referência(s) SNG France#1928-1930, SNG von Aulock#5281
Descrição do anverso Facing head of Gorgoneion.
Escrita do anverso
Legenda do anverso
Descrição do reverso Helmeted head of Athena left, astragalos (knucklebone) behind
Escrita do reverso
Legenda do reverso
Bordo
Casa da moeda
Tiragem ND (350 BC - 300 BC) - -
ID Numisquare 9306345270
Informações adicionais

Historical Context: This silver obol originates from Selge, an independent city-state in Pisidia, modern-day Turkey, during the late Classical to early Hellenistic period (350-300 BC). Strategically situated in the Taurus Mountains, Selge maintained fierce independence, often clashing with larger regional powers. Issuing its own coinage, particularly small denominations like this obol, underscored its economic autonomy and facilitated local commerce. These coins were crucial for daily transactions, asserting the city’s sovereignty in a dynamic era following Persian influence and preceding Hellenistic consolidation.

Artistry: While the engraver remains anonymous, typical Selgean obols from this period often feature a dynamic Herakles on the obverse, a hero associated with strength, aligning with Selge's martial reputation. The reverse commonly displays his club or a similar attribute, sometimes with the city's ethnic. The style reflects late Classical Greek artistic conventions, striving for naturalism and powerful iconography, constrained by the diminutive flan size. This miniature artistry conveyed civic identity and divine patronage.

Technical/Grading: This silver obol, weighing 0.9 grams and measuring 10 millimeters, presents grading challenges due to its minute dimensions. High-points for a typical Herakles type include the hero’s head, lion-skin details, and musculature. Given the small flan, strikes are frequently off-center, resulting in partial design loss, especially at the edges. Weakness in strike is common, obscuring finer details. Die wear, coupled with striking small planchets, means fully detailed, well-centered examples are exceptionally rare, making even average specimens highly prized for their historical significance.

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