目录
| 发行方 | Bishopric of Geneva |
|---|---|
| 年份 | 1135-1400 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | Denier (1019-1135) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | HMZ 1#1-294Ba |
| 正面描述 | Cross pattée with `S` szmbol in top left canton. |
|---|---|
| 正面文字 | |
| 正面铭文 | + GENEVAS |
| 背面描述 | Stylised head of St Peter facing left. |
| 背面文字 | |
| 背面铭文 | + S PETRVS |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1135-1400) - - |
| Numisquare 编号 | 1146006210 |
| 附加信息 |
Historical Context: This Obole was issued by the Bishopric of Geneva, a powerful ecclesiastical principality within the Holy Roman Empire, between 1135 and 1400. During this extensive period, the Bishops wielded significant temporal authority, often contending with the Counts of Geneva and later the House of Savoy for control over the city and surrounding territories. The coin's issuance underscores the Bishopric's sovereign right to mint currency, vital for the region's burgeoning medieval economy and reflecting its political autonomy and administrative capabilities during the High and Late Middle Ages.
Artistry: Engravers for these medieval issues remain anonymous, typical for the period. The Obole's design adheres to a pragmatic Romanesque-Gothic transitional style, prioritizing legibility over intricate detail given its small module. Common motifs include a central cross, often a simple Latin cross or cross potent, encircled by a rudimentary legend identifying the issuer, such as 'GENEVA' or an abbreviated episcopal title. The overall aesthetic is austere, reflecting the functional nature of small-denomination currency rather than elaborate artistic expression.
Technical/Grading: As a hand-struck medieval silver coin, the Obole exhibits characteristic production variations. High-points for wear or strike quality are typically the central elements of the cross and the uppermost serifs of the legend. Strikes are frequently irregular, often off-center, leading to partial legends or flattened design elements. The flans are usually unevenly cut and of varying thickness. Surface quality can range from crude to reasonably smooth, depending on the silver alloy and the force applied during the manual striking process.