目录
| 发行方 | Ruteni |
|---|---|
| 年份 | 100 BC - 50 BC |
| 类型 | Standard circulation coin |
| 面值 | 1 Obol |
| 货币 | |
| 材质 | Silver |
| 重量 | 2.1 g |
| 直径 | |
| 厚度 | 1 mm |
| 形状 | Rectangular (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Small stylized head right. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Deer leaping right, a leaf above the animal and a foliage still above. |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (100 BC - 50 BC) - - |
| Numisquare 编号 | 4608099740 |
| 附加信息 |
Historical Context: This silver obol, issued by the Ruteni tribe in southern Gaul between 100 BC and 50 BC, represents a critical period preceding and during Julius Caesar's conquest of Gaul. The Ruteni, a significant Gallic people, maintained a degree of economic and political autonomy, evidenced by their indigenous coinage. These issues served local commerce and potentially as payments or tribute within their tribal network. The absence of a specific ruler's name highlights a tribal rather than monarchical authority, reflecting decentralized Gallic governance before Roman subjugation.
Artistry: The design of this obol exemplifies the distinctive Gallic Celtic artistic tradition. While the engraver remains anonymous, the stylistic school is clearly non-classical, favoring abstraction and dynamic stylization over Greco-Roman naturalism. The eponymous deer motif, likely on the reverse, would have been rendered with characteristic Celtic flair: elongated limbs, exaggerated features, and a sense of movement. Such animal representations often held significant symbolic meaning within Celtic culture, perhaps embodying speed, wildness, or spiritual connection. The obverse typically features a highly abstracted head, distantly echoing Hellenistic prototypes.
Technical/Grading: Struck in silver to a weight of 2.1 grams, this obol conforms to the typical specifications for small Gallic denominations. For grading, key high-points on the deer design would include the antlers, back musculature, and legs, while any obverse portrait would show wear on the hair, nose, and eye. Technically, Celtic strikes often exhibit variability; off-center strikes are common, as is uneven pressure, leading to areas of weaker strike. Flans can be irregular, and the small module often makes a perfectly centered, full strike a rarity, contributing to their unique character.