Catalog
| Issuer | Vindelici of Germania |
|---|---|
| Year | 100 BC - 1 BC |
| Type | Standard circulation coin |
| Value | 1 Obol (⅙) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.42 g |
| Diameter | 10 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Kostial#22 |
| Obverse description | Celticised male head left with pointed nose and large round eye; pellet in hair behind, torque below. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Horse to left with pellet mane, three pellets above, pointed object below. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (100 BC - 1 BC) - - |
| Numisquare ID | 8270338970 |
| Additional information |
Historical Context: The Obol Manching 2 Type was issued by the Vindelici, a prominent Celtic tribe in southern Germania, during the late Iron Age (100-1 BC). This era predates direct Roman subjugation, reflecting flourishing Celtic culture and economic activity, centered around significant oppida like Manching. These small silver denominations served as crucial local currency, facilitating trade within tribal territories, underscoring Vindelici autonomy and cultural identity before Roman expansion.
Artistry: The artistry of the Obol Manching 2 Type is characteristic of late Celtic coinage, produced by anonymous tribal artisans. It exhibits a highly stylized, almost abstract interpretation of classical prototypes, a hallmark of Celtic artistic tradition. These obols often feature a simplified, 'blob-like' head on the obverse and an equally abstract or geometric motif on the reverse, frequently derived from animal forms or symbols. This aesthetic prioritizes symbolic representation over naturalistic depiction.
Technical/Grading: Weighing 0.42 grams and measuring 10 millimeters, the Obol Manching 2 Type is a diminutive issue, often exhibiting technical challenges inherent in ancient Celtic minting. Strikes are frequently off-center, and flans are typically irregular, reflecting rapid production. High points for wear, depending on design, would be the most raised elements of the stylized head or reverse motif. Collectors should anticipate planchet imperfections and die wear, common for this type and era, influencing overall grade.