Obol - Ermesinde

Emitent Luxembourg
Rok 1239-1247
Typ Standard circulation coin
Nominał Obol (1⁄480)
Waluta Livre Tournois (963-1353)
Skład Billon
Waga 0.36 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) L#4-1, Weiller#4, BV#4
Opis awersu Ermesinde, Countess of Luxembourg from 1196 to 1247, standing, profile to the left and holding a lily in the hand. Legend and pearls on the border.
Pismo awersu
Legenda awersu LVSEN BOR
(Translation: LUXEMBOURG)
Opis rewersu Crest with lion surrounded by legend and pearls.
Pismo rewersu
Legenda rewersu HA N RI
(Translation: Henri)
Krawędź
Mennica
Nakład ND (1239-1247) - -
ID Numisquare 1738319390
Dodatkowe informacje

Historical Context: Ermesinde, Countess of Luxembourg (1186-1247), was a pivotal figure in the history of the county. This obol, struck between 1239 and 1247, represents the final years of her long and influential reign. During the High Middle Ages, Ermesinde skillfully navigated complex feudal politics, consolidating Luxembourg's independence and fostering its economic growth. The issuance of this small denomination billon coinage underscored her sovereign authority and facilitated daily commerce within her expanding domains, reflecting a developing monetary economy crucial for the region.

Artistry: The artistry of this obol reflects the early Gothic or late Romanesque stylistic traditions prevalent in Western European coinage of the 13th century. While the engraver remains anonymous, typical for the era, the design prioritizes symbolic representation over realistic depiction. Given the diminutive size and weight of 0.36 grams, the iconography is necessarily simplified. Common designs for Ermesinde's obols feature a central cross on the obverse, often a croix pattée, and a stylized 'L' for Luxembourg or a monogram incorporating 'E' for Ermesinde on the reverse, frequently accompanied by pellets or annulets within the fields.

Technical/Grading: As a billon coin, this obol is composed of a low-grade silver alloy, rendering it susceptible to corrosion and wear. The hand-striking methods of the period invariably resulted in significant variability in strike quality. Common technical characteristics include off-center strikes, irregular flan shapes, and weak or incomplete design elements, particularly at the periphery. For grading, high-points susceptible to wear typically include the center and arms of the cross on the obverse, and the raised elements of the monogram or initial on the reverse. Well-centered strikes with clear legends and minimal surface degradation are highly prized.

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