Katalog
| Emitent | Kleitor |
|---|---|
| Rok | 460 BC - 440 BC |
| Typ | Standard circulation coin |
| Nominał | Obol (⅙) |
| Waluta | Drachm |
| Skład | Silver |
| Waga | 0.88 g |
| Średnica | 9.0 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered, Incuse |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | BCD Peloponnesos#1415 |
| Opis awersu | Forepart of bridled horse facing left |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Quadripartite incuse square divided diagonally |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (460 BC - 440 BC) - - |
| ID Numisquare | 9548583760 |
| Dodatkowe informacje |
Historical Context: This silver obol, issued by the Arcadian city of Kleitor (460-440 BC), dates to the Early Classical era, a period of significant development preceding the Peloponnesian War. Kleitor, a significant polis, utilized coinage to assert its economic independence and civic identity. This small denomination facilitated local commerce, reflecting the city's participation in the broader Hellenic economic network. Such issues are crucial primary sources for understanding the regional political and economic landscape of the Peloponnese.
Artistry: The obol's design, typical for the Early Classical period, displays refined iconography. While the engraver is anonymous, common for issues of this era, the obverse likely features a head of Zeus Lykaios, reflecting Kleitor's reverence for the deity associated with Mount Lykaion. The reverse typically depicts an eagle, a powerful symbol linked with Zeus. The artistic style, constrained by the diminutive 9.0 mm flan, demonstrates the nascent naturalism and idealism characteristic of mid-5th century BC Greek art.
Technical/Grading: Struck on a compact 0.88 gram silver flan, the technical execution of this obol is often variable. High-points, such as Zeus's hair and facial features, and the eagle's breast and wing details, are frequently susceptible to strike weakness or wear. Off-center strikes and irregular flan shapes are common due to the manual striking process. A well-centered example with strong relief on both sides, particularly retaining definition in the finer iconographic elements, would be considered exceptional for this type.