Catalog
| Issuer | Olympia |
|---|---|
| Year | 468 BC - 460 BC |
| Type | Standard circulation coin |
| Value | Obol (⅙) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.89 g |
| Diameter | 8.5 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HGC 5#462 |
| Obverse description | Eagle flying left, holding serpent in talons |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Thunderbolt, with wings above, volutes below, within incuse circle |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (468 BC - 460 BC) - - |
| Numisquare ID | 1755706010 |
| Additional information |
Historical Context: This silver obol, issued by the sanctuary of Olympia during the 78th-80th Olympiads (468-460 BC), emerges from the vibrant Early Classical period in Greece. Following the Persian Wars, this era marked a flourishing of Hellenic culture and power. Olympia, as the sacred site of the panhellenic Olympic Games, held unparalleled religious and cultural significance. This coinage served the throngs of pilgrims, athletes, and merchants converging for these quadrennial festivals, embodying the economic and spiritual nexus of the Peloponnese during a period of burgeoning Greek identity and prosperity.
Artistry: The anonymous engraver of this diminutive piece worked within the nascent Early Classical stylistic school. While specific artistic details are constrained by the 8.5mm flan, the period favored a transition from Archaic rigidity to a more idealized naturalism. Typical designs for Olympian obols of this era often featured a profile of Zeus, the patron deity, or his sacred eagle. Despite its size, the design would have aimed for clarity and robust symbolism, reflecting the solemnity and athletic prowess celebrated at the Games.
Technical/Grading: Weighing 0.89 grams of silver, this obol's technical strike quality is often characterized by typical limitations of its size and era. High-points of the design, such as Zeus's facial features or the eagle's head, are frequently susceptible to wear and often exhibit softer strikes. Off-centering and irregular flan shapes are common, reflecting the manual striking process. Despite these characteristics, a well-preserved example would display sharp, albeit compact, details and a clear impression of its significant iconography, crucial for assessing its numismatic grade.